Electronic Database of Sumerian Divine Epithets

INTRODUCTION

1. SUMERIAN DIVINE EPITHETS

2. THE DATABASE RECORD

3. THE TEAM

4. BIBLIOGRAPHY

1. SUMERIAN DIVINE EPITHETS

The Mesopotamian deities reflect the entire natural world of Mesopotamia as well as the elements of Mesopotamian society and culture (Sallaberger 2003–2005: 296–299; Krebernik 2012: 46–48; Sallaberger 2020: 405–407). Their names alone, however, usually do not reveal their manifold powers and qualities. Specific linguistic determinations, the epithets, are needed in order to convey the full range of the deities’ manifestations and aspects.

Linguistically, epithets are adjectives and nouns used in appositions to a name (Gondos 1994; for relative clause see below). However, since a divine epithet can also replace the deity’s name, and since both may have the same structure (e.g., noun + adjective), the question arises of how to distinguish divine names from epithets. For instance, the divine name Ninmah (nin mah = “exalted lady”), was originally an epithet of the mother goddess used in the Old Sumerian city of Lagas (ca. 2500–2300), where her name was Ninhursaĝa (Selz 1995: 256). In order to distinguish epithets from names, the scribes’ classification principle is often, but not alway helpful. When the semantic classifier for divine names occurs before an expression, this can be understood as the name of a god. The problem here is that a deity can be referred to by different names in the same text. This is due to cases of syncretism or the differentiation of former epithets which become independent divine names. Examples are the interchangeable use of the names of the mother goddess Ninmah, Ninhursaĝa, Aruru or the names of the warrior god Ninurta, Ningirsu and Utaulu in the Old Babylonian period.

Formally, Sumerian epithets can be described according to different structures: adjective; noun; participle; noun(genitive); noun/participle + adjective; noun + noun(genitive); noun1 (+ noun2 (+...)) + participle and many, many more.

The greatest difficulty in identifying an epithet lies in the segmentation of sequences of epithets, especially with regard to attributive participle phrases. In this cases, the problem arises of how to define the semantic and syntactic border between epithets. For example, in Ninurta’s epithet saĝ-kal usu maḫ tuku, saĝ-kal “the foremost one” may act as the head of the expression usu maḫ tuku, which is formally a participle phrase meaning “having superior strength”. According to this interpretation, we are facing one single epithet (“the foremost one having superior strength”). However, it is grammatically possible to consider saĝ-kal and usu maḫ tuku as two distinct epithets of Ninurta: “Ninurta, the foremost one, the one who has superior strength”.

When a noun precedes a participle phrase, it is here usually considered as the head of clause. Consequently, the whole expression has been recorded as one single epithet in the database. This applies also when the head is followed by two participles whose meanings are particularly related, for example “warrior who pillages the cities and subjugates the mountains”.

While Mesopotamian divine epithets may appear in a standardised form (e.g., “gracious woman” as a standard epithet of Babu and Ninmarki), they usually do not develop into the standard double names (divine name + epithet) so typical of Greek deities (e.g., Zeus Keraunios “Zeus of the thunderbolt”; Schwabl 1978; Gladigow 1981: 1226–1229; Parker 2017: 28–31). Sumerian divine epithets, which could be compared with the Greek double names, are geographical epithets – particularly attested for Innana, the goddess of sex and war (e.g., Innana of Uruk; Ceccarelli 2021: 134).

Beside epithets in the actual sense, there are the hypotactic descriptions of a deity’s actions which occur as Sumerian nominalised clauses. These are collected in the database because they are appositions to a preceding noun, which, like participles, can express essential activities or qualities of a deity (Seux 1967: 16 for Akkadian relative clauses as epithets).

Semantically and conceptually, epithets are shaped by elements derived from various sources: typical aspects of human life or Mesopotamian society (e.g., “father” or “vizier of the god x”), general concepts of the deities (e.g., “shining”) or a specific aspect of a deity (e.g., Ninurta’s epithet “warrior”); mythical narrative materials, which can be concretised in various texts, can be a source of epithets. While some epithets are typical for a deity and can potentially occur in every text as almost fixed lexical items (‘standard epithets’), others are chosen according to the specific context and purpose of the text (‘contextual or situational epithets’).More generic epithets are the ‘honorific epithets’ (e.g., “lord”).

Despite the lack of a general theoretical framework regarding the function and meaning of Mesopotamian divine epithets, however, we can benefit from remarkable theoretical contributions from Classical and Religious Studies. Especially in recent years, interest in divine epithets has increased in these disciplines (Belayche et al. 2005; Wallensten 2008; Parker 2003; ib. 2017; Bonnet et al. 2018; Bonnet et al. 2019). Divine epithets have a 1) semantic, 2) pragmatic, 3) internarrative and 4) stylistic function.

1) Generally, epithets specify both ‘standard’ and less common qualities as well as local manifestations of a deity (Gladigow 1981; Parker 2003; ib. 2017: 9–17). Furthermore, Gladigow (1981) illustrates how the attribution of the same epithets to different deities establishes categorial cross-connections between them.

2) Epithets have a striking meaning within the cult (Gladigow 1981; Parker 2003; ib. 2017). In invocations, epithets enhance a goal-oriented communication with a deity by referring to the needed divine aspects and functional relations between the deity, its cult place or its deeds and the supplicant (‘contextual epithets’; Gladigow 1981: 1226–1229; Budde 2011). For instance, the epithet “merciful” is supposed to awaken the mercy of the deity.

3) Internarrative function. Divine ‘internarrative epithets’ explicitly refer to a deity’s deeds and a mythical narrative material. I analyse these epithets applying the hermeneutical approach of Annette Zgoll und Christian Zgoll and the categories developed in Christian Zgoll’s study of mythical narratives. In his theory (Zgoll 2019), a narrative can be analysed as a sequence of smallest action-bearing units, which he calls hylems, consisting of the basic structure logic subject + logic predicate (+ logic object), e.g., “god x does y”. Special hylems, called hyper-hylems, evoke or summarise a whole narrative material (Zgoll 2019: 186–197), e.g., the sentence “The god Ea created mankind”, attested in some incantations, is a hyper-hylem summarising the whole myth creation of mankind by Enki/Ea, which is concretised in different texts (e.g., Enki and Ninmaḫ, Atram-ḫasīs). The meaning of such epithets goes beyond their semantics and becomes relevant in shaping an effective communication between humans and deities by addressing the particular divine aspect and power needed in the context of the incantation. This finding is in line with the pragmatic function of epithets in cult and invocations, as Gladigow (1981) already outlined.

4) Epithets as stylistic device in Greek poetry have been studied by Parry (1928). Stylistically, Mesopotamian epithets are used to anticipate the divine name in climax and repetitions.


2. THE DATABASE RECORD

The database collects information related to the semantic, pragmatic and internarrative functions of the epithets. Generally, each epithet appearing in a text is recorded in an own entry. There are some exceptions: 1) epithets appearing in repeated passages are recorded in one entry, and the parallel lines are reported in the field ‘note’. 2) The honorific epithet lugal-a-ni "his (= of the ruler) lord” in royal inscriptions has not been recorded.

The record is structured in four sections:

  1. DEITY
  2. EPITHET
  3. GRAMMAR
  4. COMPOSITION

A number of fields, which may not be immediately obvious, are clarified below.

2.1. DEITY

This section gives information on the deity to whom the epithet refers.

2.2. EPITHET

This section contains information related to the semantics and the divine aspect of the epithet. It also gives information on relations with other deities, the king, and to particular categories of places (e.g., temple name, city name).

2.3. GRAMMAR

This section provides information related to grammatic and syntactic aspects of the epithets.

2.4. COMPOSITION

This section gives information on various elements related to the actual composition and to the speicfic passage where the epithet occurs.

3. THE TEAM

Dr. Manuel Ceccarelli (PI).

Taichuan Tang BA (Student assistant).

4. BIBLIOGRAPHY

  • Belayche, Nicole, Pierre Brulé, Gérard Freyburger, Yves Lehmann, Lauren Pernot and Francis Prost (eds.). 2005: Nommer les Dieux. Théonymes, épithètes, épiclèses dans l’Antiquité. Turnhout.
  • Bonnet, Corinne, Maria Bianco, Thomas Galoppin, Élodie Guillon, Antoine Laurent, Sylvain Lebreton and Fabio Porzia. 2018. “Les dénominations des dieux nous offrent comme autant d’images dessinées” (Julien, Lettres 89b, 291 b). Repenser le binôme théonyme-épithète.” Studi e materiali di storia delle religioni 84: 567–591.
  • Bonnet, Corinne, Maria Bianco, Thomas Galoppin, Élodie Guillon, Antoine Laurent, Sylvain Lebreton and Fabio Porzia. 2019. “Mapping Ancient Gods: Naming and Embodiment Beyond “Anthropomorphism”. A Survey of the Field in Echo to the Books of M.S. Smith and R. Parker.” Mediterranean Historical Review 34: 207–220.
  • Budde, Dagmer. 2011. “Epithets, Divine.” In UCLA Encyclopedia of Egyptology, ed. by Jacco Dieleman et al. Los Angeles. https://escholarship.org/uc/item/9ct397mm.
  • Ceccarelli, M. 2021. “Remarks on Divine Epithets in Sumerian and Akkadian Incantations and Incantation-prayers.” Journal of Ancient Near Eastern Religion 21: 131–160.
  • Gladigow, Burkhard. 1981. “Gottesnamen (Gottesepitheta) I.” Reallexikon für Antike und Christentum 11: 1201–1238.
  • Gondos, Lisa. 1994. “Epitheton.” Historisches Wörterbuch der Rhetorik 2: 1314–1316.
  • Krebernik, M. 2012. Götter und Mythen des alten Orients. München.
  • Parker, Robert. 2003. “The Problem of Greek Cult Epithet.” Opuscula Atheniensia 28: 173–183.
  • Parker, Robert. 2017: Greek Gods Abroad. Names, Natures, and Transformations (Sather Classical Lectures 62). Oakland.
  • Parry, Milman, 1928: L’Épithète Traditionnelle dans Homère. Essai sur un problème de style. Paris: Société d’éditions Les belles lettres.
  • Sallaberger, Walther. 2003–2005. “Pantheon. A. I. In Mesopotamien.” Reallexikon der Assyriologie und vorderasiatischen Archäologie 10: 294–308.
  • Sallberger, Walther. 2020. “Zur Genese der mesopotamischen Götterwelt. Eine Auseinandersetzung mit Thorkild Jacobsens Central Concerns.” In mu-zu an-za3-še3 kur-ur2-še3 ḫe2-ĝal2. Altorientalistische Studien zu Ehren von Konrad Volk, ed. by Jana Matuszak and Jessica Baldwin. Münster, 391–412.
  • Sallberger, Walther. 2020. “Zur Genese der mesopotamischen Götterwelt. Eine Auseinandersetzung mit Thorkild Jacobsens Central Concerns.” In mu-zu an-za3-še3 kur-ur2-še3 ḫe2-ĝal2. Altorientalistische Studien zu Ehren von Konrad Volk, ed. by Jana Matuszak and Jessica Baldwin. Münster, 391–412.
  • Schwabl, Hans. 1978. Zeus. (Reprinted from Realencyclopädie der classischen Altertumswissenschaft 10A [1972] and Supplement 15 [1978]). München.
  • Selz, Gebhard. 1995. Untersuchungen zur Götterwelt des altsumerischen Stadtstaates von Lagaš. Philadelphia.
  • Seux, Joseph M. 1967. Épithèts royales akkadiennes et sumériennes. Paris.
  • Wallensten, Jenny. 2008. “Personal Protection and Tailor-Made Deities: the Use of Individual Epithets.” Kernos 21: 81–95.
  • Zgoll, Christian. 2019. Tractatus mythologicus. Theorie und Methodik zur Erforschung von Mythen als Grundlegung einer allgemeinen, transmedialen und komparatistischen Stoffwissenschaft. Berlin: De Gruyter.
  • Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Commission. Neither the European Union nor the granting authority can be held responsible for them.

    AO 05376 © Louvre Museum, Paris, France